Ted Sarandos - Netflix

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Last quote by Ted Sarandos

There are three different films released this quarter, that if viewing was buying a movie ticket, would be of sizable successes in Death Note, Naked, and To the Bone.feedback
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Oct 17 2017 Netflix
In this page, you will find a list of 49 quotes from Ted Sarandos, from different articles. We analyzed 25 articles in which Ted Sarandos has been quoted in topics like China and Netflix. Ted Sarandos’s most recent quote is: “Every one of our creative executives has buying power. They can greenlight a big-budget show in the room without me. I don't think we compete with Amazon in the movie space at all. I frankly don't understand their strategy. I don't understand why perpetuating a model that feels more and more disconnected with the population is good.”. To see more examples Ted Sarandos’s views and opinions, check out the section below.
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Ted Sarandos quotes

Aug 07 2017 - Netflix

As creator and re-inventor of some of the most memorable stories and characters in recent history, ranging from Marvel's The Avengers to Millarworld's Kick-Ass, Kingsman, Wanted and Reborn franchises, Mark is as close as you can get to a modern day [Marvel legend] Stan Lee. We look forward to creating new Netflix originals from several existing franchises as well as new super-hero, anti-hero, fantasy, sci-fi and horror stories Mark and his team will continue to create and publish.feedback

Jul 17 2017 - Netflix

The more shows we add, the more likely in absolute numbers that you'll see cancellations, of course. But that's only novel on Netflix.feedback

Jul 17 2017 - Netflix

If you're not failing, maybe you're not trying hard enough.feedback

Jul 17 2017 - Netflix

We love when there is a deep passion fan base for a show. We just needed to be big enough to support the economics of that show.feedback

May 20 2017 - Cannes Festival

But my own opinion is that by inviting the films, they did the right thing. You are inviting films that you believe to be best in class from all around the world. And if you are inventing qualifications for how a film has to appear on a commercial basis, that seems very out of step with the spirit of the festival, and the independence of the festival.feedback

May 20 2017 - Cannes Festival

There's no mechanism to make a movie like Okja today outside of what we're doing. No studio would take that risk on a Korean director on a film that barely has any English language in it.feedback

May 20 2017 - Cannes Festival

Studios have no appetite for risk. Take 4 Months, 3 Weeks and 2 Days, which came to Cannes with no distribution deal at all. We don't want to signal to competitors where to focus their dollars. The number of people who have seen Palme d'Or-winning films in theatres relative to the population who see these movies [overall] is very small.feedback

May 20 2017 - Cannes Festival

I'm really thrilled for director Bong and and Noah Baumbach that people are talking about their films.feedback

May 20 2017 - Cannes Festival

They were fully aware of our release strategy. I talked to them before Oscar weekend [in February] about some of these films.feedback

May 20 2017 - Cannes Festival

We are living among a generation who have seen every great movie ever made on a phone. So I think we all just have to come to grips with where technology and culture take us. And by the way, I'm more thrilled that they are seeing the movies than I am concerned with the size of the screen they're watching them on. Okja is a beautiful movie when you see it, but if you had to bet your career on filling movie theatres on opening weekend with that film you'd be losing sleep. So we've become a major exporter of European content to the world.feedback

May 20 2017 - Cannes Festival

And in my opinion while that may sound risky, putting it in the hands of director Bong? Not very risky at all.feedback

May 19 2017 - Cannes Festival

The market's too competitive. That's when we bonded and he saw I really do love movies.feedback

May 19 2017 - Cannes Festival

We're living amid a generation that has seen every great movie ever made on a phone, so I think we all have to come to grips with where technology takes us. Why would we want to hold back a movie for an enormous number of people to enjoy throughout the entire country that a few hundred, maybe a few thousand people could see the film in Paris? It seemed to me like the right thing to do was to give the people, our subscribers, who pay to make these movies, access to them immediately all over the world. They were fully aware of our release strategy.feedback

May 19 2017 - Cannes Festival

I've talked to Thierry many times and said this is where we'd like to show it.feedback

May 17 2017 - Netflix

Season Four marked the first foray by Netflix into original comedy programming and this time, the Bluths will collectively be spending more quality time with their millions of fans around the world.feedback

May 15 2017 - Netflix

Australia has such a rich production infrastructure and great talent, both in front of and behind the camera. There's no reason we should not [commission] original shows for Australia.feedback

Apr 25 2017 - Netflix

Adam Sandler and Chris Rock are cornerstones of the Netflix comedy family and we are over the moon about these two legends reuniting to give our members worldwide a healthy dose of the hilarity that they have been creating together for years. Similar in the romantic comedy tone of Sandler's most recent film Sandy Wexler, this film will be the perfect vehicle for Sandler and Rock and their millions of fans around the world.feedback

Mar 14 2017 - Netflix

This is a labor of love and a gift to the legacy of one of history's greatest directors.feedback

Mar 08 2017 - Netflix

The worst thing is to wait a couple of years for your favorite show to come back and for it to disappoint you, but they sure delivered and people were really excited about more, and we have been talking to them about the possibility of that.feedback

Mar 08 2017 - Netflix

We hope. We obviously loved the success of the show, fans loved how well it was done, it delivered what they hoped.feedback

Mar 06 2017 - Netflix

The worst thing is to wait a couple of years for your favorite show to come back and for it to disappoint you but they sure delivered and people were really excited about more and we have been talking to them about the possibility of that.feedback

Jan 20 2017 - Sundance Film Festival

We acquired films ahead of Sundance so that we could really showcase them at the festival.feedback

Jan 20 2017 - Sundance Film Festival

An Oscar would be really great for the filmmakers. We've campaigned four times and it'd be really great to see it through to the finish line.feedback

Jan 20 2017 - Sundance Film Festival

I don't think that's a bad thing for the filmmakers.feedback

Dec 13 2016 - Netflix

We're keeping an eye on it. We are great partners with Apple on all their other initiatives and we're just trying to see how that's (TV app) going to roll out.feedback

Nov 22 2016 - Netflix

It was about a quarter of a billion dollars. We'll be able to figure out later what it was that made the show the show. It'll be interesting with 'Grand Tour' to see how much of that is the players, who in many cases are big personalities, but what elements of Top Gear will people miss?feedback

Nov 02 2016 - Netflix

We have talked a lot about this over the years and our belief is that broadband and Wi-Fi become more and more ubiquitous, available in more and more places that you are, more and more minutes of the day.feedback

Nov 02 2016 - Netflix

We are producing original shows in local languages … But I think it's a local flavor for a global product. So I think what people really love universally is great storytelling and big production value. We see that in the way American films travel around the world. Our goal is not to export American television around the world, our goal is to export great storytelling from everywhere in the world, to everywhere else in the world.feedback

Jun 30 2016 - Netflix

I'm very proud that Netflix shows are among the most diverse shows in the world.feedback

Jun 30 2016 - Netflix

China is part of a very important business model for K-drama, sometimes realizing even more revenues for the K-drama in China than realizing in Korea today. We continue to look at China as an opportunity, but it's a very complicated one.feedback

Jun 30 2016 - Netflix

They got enormous Asian casts and the shows are being watched and loved from around the globe. In every one of our shows we got a very high level of diversity that we think accurately reflects the populations not just the view of the typical Hollywood casts. So we're absolutely doing well and pushing to do better in terms of diversity for the world.feedback

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